Salve Juan, Schubert lo accolgo sempre molto volentieri!!! e la Sonata D894 è, insieme alla D960!!, fra le mie Sonate preferite!!. David Fray è una bellissima novità!!! Good Life to You!!!
He is a tremendous Schubert pianist. Thank you! Do you have, by any chance, the new discs of Korstick playing Schubert in the CPO label? Critics are raving about them!
http://www.embedupload.com/?d=3GCQWCLRFR or http://uptobox.com/80ofnt7e6isf or https://mega.co.nz/#!NEAEGaYQ!ibQruVpTYubmO8_ujQlJtdz-n-qbRQrPKVOoF40NLzU
For your information, here is the BBC Music Magazine review of the Korstick's Schubert records I mentioned... Take care, N
SCHUBERT Piano Sonatas: No. 13 in A, D664; No. 20 in A, D959; No. 21 in B flat, D960; Movements musicaux, D780; Hungarian Melody, D817 Michael Korstick (piano) CPO 777 766-2 155:08 mins (2 discs) BBC Music Direct £16.99 Even now, there are great performing musicians who apparently never visit the UK and are unknown to the major record companies. My latest excited discovery in this field is the German Michael Korstick, who records on CPO, and has never recorded for a major company. He is 60 next year and this pair of CDs of two of Schubert’s last sonatas and some other pieces show him to be a towering performer of this ultimately taxing repertoire – the final challenge, according to Claudio Arrau. To begin at the end: Korstick’s account of the final sonata, in B flat D960, is as moving as any I have heard. It ranks with Sviatoslav Richter’s various performances. The first movement is taken broadly and with the all-important repeat, which is omitted by Alfred Brendel and his epigones (Paul Lewis, Imogen Cooper). That leads to the equivocal sublimity of the slow movement and thence to the restless scherzo and the hectic finale. This is as near perfection as you will get. The earlier Sonata in A major, D664, can seem a slightly cloying work, its slow movement in particular. Korstick’s muscular approach makes it fresh. The six Moments musicaux are on that level too, while the penultimate Sonata, D959, has its orchestral dimensions firmly delineated, and its austere lyricism seems to have a special appeal for Korstick. These discs should surely find a wide audience. PERFORMANCE ***** RECORDING *****
http://www.embedupload.com/?d=2CEGMIGXA5 or http://uptobox.com/kx8684fayizp or https://mega.co.nz/#!oJQxQTBA!Vu6Bo6e9RtUXO1WrOOYHj0yJg-d4GSoaiW3R2eelY5U
14 COMMENTS:
Salve Juan,
Schubert lo accolgo sempre molto volentieri!!! e la Sonata D894 è, insieme alla D960!!, fra le mie Sonate preferite!!. David Fray è una bellissima novità!!!
Good Life to You!!!
He is a tremendous Schubert pianist. Thank you!
Do you have, by any chance, the new discs of Korstick playing Schubert in the CPO label? Critics are raving about them!
The newest cd! You are very quick. Many thanks!
Nobokov:
I don't have this double CD. I Regret.
http://www.embedupload.com/?d=3GCQWCLRFR
or
http://uptobox.com/80ofnt7e6isf
or
https://mega.co.nz/#!NEAEGaYQ!ibQruVpTYubmO8_ujQlJtdz-n-qbRQrPKVOoF40NLzU
PW: 0079
Many Thanks!!
Fantastic! Thank you very much, Mauro
Don't worry. You can't have everything!
Thank you.
For your information, here is the BBC Music Magazine review of the Korstick's Schubert records I mentioned...
Take care,
N
SCHUBERT
Piano Sonatas: No. 13 in A, D664;
No. 20 in A, D959; No. 21 in B flat,
D960; Movements musicaux,
D780; Hungarian Melody, D817
Michael Korstick (piano)
CPO 777 766-2 155:08 mins (2 discs)
BBC Music Direct £16.99
Even now, there are great performing
musicians who apparently never
visit the UK and are unknown to
the major record companies. My
latest excited discovery in this field
is the German Michael Korstick,
who records on CPO, and has never
recorded for a major company. He
is 60 next year and this pair of CDs
of two of Schubert’s last sonatas
and some other pieces show him
to be a towering performer of this
ultimately taxing repertoire – the
final challenge, according to Claudio
Arrau. To begin at the end: Korstick’s
account of the final sonata, in
B flat D960, is as moving as any I
have heard. It ranks with Sviatoslav
Richter’s various performances. The
first movement is taken broadly and
with the all-important repeat, which
is omitted by Alfred Brendel and
his epigones (Paul Lewis, Imogen
Cooper). That leads to the equivocal
sublimity of the slow movement
and thence to the restless scherzo
and the hectic finale. This is as near
perfection as you will get.
The earlier Sonata in A major,
D664, can seem a slightly cloying
work, its slow movement in
particular. Korstick’s muscular
approach makes it fresh. The six
Moments musicaux are on that level
too, while the penultimate Sonata,
D959, has its orchestral dimensions
firmly delineated, and its austere
lyricism seems to have a special
appeal for Korstick. These discs
should surely find a wide audience.
PERFORMANCE *****
RECORDING *****
Thanks for the info. I have ordered the CD.
Thanks for sharing this.
file cannot be found
NEW LINKS:
http://www.embedupload.com/?d=2CEGMIGXA5
or
http://uptobox.com/kx8684fayizp
or
https://mega.co.nz/#!oJQxQTBA!Vu6Bo6e9RtUXO1WrOOYHj0yJg-d4GSoaiW3R2eelY5U
PW: 0079
Muchas gracias, Juan!
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