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Wednesday, 4 February 2015

Franz Schubert / Fantaisie / David Fray


14 COMMENTS:

clacor said...

Salve Juan,
Schubert lo accolgo sempre molto volentieri!!! e la Sonata D894 è, insieme alla D960!!, fra le mie Sonate preferite!!. David Fray è una bellissima novità!!!
Good Life to You!!!

Nabokov said...

He is a tremendous Schubert pianist. Thank you!
Do you have, by any chance, the new discs of Korstick playing Schubert in the CPO label? Critics are raving about them!

maslov01 said...

The newest cd! You are very quick. Many thanks!

Anonymous said...

Nobokov:
I don't have this double CD. I Regret.

Anonymous said...

http://www.embedupload.com/?d=3GCQWCLRFR
or
http://uptobox.com/80ofnt7e6isf
or
https://mega.co.nz/#!NEAEGaYQ!ibQruVpTYubmO8_ujQlJtdz-n-qbRQrPKVOoF40NLzU

PW: 0079

Anonymous said...

Many Thanks!!

marinomau said...

Fantastic! Thank you very much, Mauro

Nabokov said...

Don't worry. You can't have everything!
Thank you.

Nabokov said...

For your information, here is the BBC Music Magazine review of the Korstick's Schubert records I mentioned...
Take care,
N

SCHUBERT
Piano Sonatas: No. 13 in A, D664;
No. 20 in A, D959; No. 21 in B flat,
D960; Movements musicaux,
D780; Hungarian Melody, D817
Michael Korstick (piano)
CPO 777 766-2 155:08 mins (2 discs)
BBC Music Direct £16.99
Even now, there are great performing
musicians who apparently never
visit the UK and are unknown to
the major record companies. My
latest excited discovery in this field
is the German Michael Korstick,
who records on CPO, and has never
recorded for a major company. He
is 60 next year and this pair of CDs
of two of Schubert’s last sonatas
and some other pieces show him
to be a towering performer of this
ultimately taxing repertoire – the
final challenge, according to Claudio
Arrau. To begin at the end: Korstick’s
account of the final sonata, in
B flat D960, is as moving as any I
have heard. It ranks with Sviatoslav
Richter’s various performances. The
first movement is taken broadly and
with the all-important repeat, which
is omitted by Alfred Brendel and
his epigones (Paul Lewis, Imogen
Cooper). That leads to the equivocal
sublimity of the slow movement
and thence to the restless scherzo
and the hectic finale. This is as near
perfection as you will get.
The earlier Sonata in A major,
D664, can seem a slightly cloying
work, its slow movement in
particular. Korstick’s muscular
approach makes it fresh. The six
Moments musicaux are on that level
too, while the penultimate Sonata,
D959, has its orchestral dimensions
firmly delineated, and its austere
lyricism seems to have a special
appeal for Korstick. These discs
should surely find a wide audience.
PERFORMANCE *****
RECORDING *****

Unknown said...

Thanks for the info. I have ordered the CD.

rintesh said...

Thanks for sharing this.

Unknown said...

file cannot be found

Anonymous said...

NEW LINKS:

http://www.embedupload.com/?d=2CEGMIGXA5
or
http://uptobox.com/kx8684fayizp
or
https://mega.co.nz/#!oJQxQTBA!Vu6Bo6e9RtUXO1WrOOYHj0yJg-d4GSoaiW3R2eelY5U

PW: 0079

guiller said...

Muchas gracias, Juan!